Monday, 15 February 2010
Beer Festival News - Spanking Good Fun and One for Your Diary
Wednesday, 10 February 2010
Prison and Asylum Girls and the Tawse: A Few Requests Satisfied from Afar (Eastbourne)




Friday, 5 February 2010
Interviews and Interrogations
Hi Folks, I'm still here, stuck in
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I have been working on a little scene involving a rigidly disciplined probing question-and-answer session between attractive female psychiatrist and her young charge - the formal white-coated, the latter dressed in a hot and particularly restrictive school uniform.
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Perched on a narrow, hard-seated, straight-backed wooden chair our young lady is of course obliged herself to sit rigidly straight backed throughout, admonished for fidgeting and picked up on for the slightest discrepancy or inconsistency between answers to questions that are apparently endless worded almost as if to deliberately trip her up. It is not the first time she has had to sit through such a tedious and punishing interview nor will it be her last - the sessions are repeated over and over and will be until such a time that the therapist is satisfied that all answers given are consistent and that she therefore wheedled out every little nuance of her patient’s hidden thoughts and has her subconscious lying open at her fingertips. Obviously the girl wishes to keep hidden anything that she believes might count against her, especially insofar as her remaining in the institution she now finds herself, but there is a long supple length of rattan lying across the doctor's desktop that begs to differ.
Friday, 29 January 2010
Filmic Inspiration, a Blog and a YouTube Link





Sunday, 24 January 2010
New: John Willie Album Added

Now for some news: I have added a few more Lynne Paula Russel / Paula Meadows illustrations to the relevant Picasaweb spanking art album (see side bar on right hand for link listed under Spanking Artwork Albums). In addition, I have now created a Picasaweb album to hold the art of that fine bondage / CP illustrator John Willie. I have gathered together 28 illustrations from various internet sources thus far and will be adding more from my own collection as and when I get around to scanning them in - I own a complete set of John Willie's 'Bizarre' magazine reprints and also some other publications featuring his work. Click here to go to the John Willie album or check out the link in the sidebar, as above.
Friday, 15 January 2010
The Bad-Bunny Punishment Suit
Recently I have been enthusing over the work of an artist going by the Monika of Thorn, though rumor persists that the originator is this guy, Hobbs. Whatever the truth it is rare that any artwork has been quite so stimulating in terms of being a catalyst for ideas for incorporation within my own work – other than the work of Roger Benson I suppose, particularly his reformatory series. One tantalizing possibility that fired my imagination was the prospect of a collaboration with this Thorn / Hobbs chap illustrating my scribblings. But faced with the apparent impossibility of making contact with the chap and his reluctance to defend his own work, if indeed he is being plagiarized, I have been led to the depressing conclusion that he might well be deceased.
Imagine my delight then when, while searching for yet more undiscovered Thorn / Hobbs imagery I stumbled across the work of Julian Guile, not a name I have run into before. It turns out that I have unwittingly posted up an example of this artists work before, albeit in a low resolution form - an image that was sent to me anonymously and was entitled 'The Detention Room' and displayed a high degree of imagination in the design of the miscreant's seating arrangement. The latter is little more than a perch and is undoubtedly very uncomfortable - but so practicable when it comes to instant correction by way of the application of cane or strap. This little innovation is what rescues the subject matter from what so easily could have been something rather hackneyed and stereotypical.
The way this artist captures the all-important psychological effect on the young lady by way of her expression and body language is masterful and very reminiscent of the aforementioned Thorn / Hobbs – he successfully captures the emotional pain and how it may surpass the merely physical in its way.
If further evidence of this guy's creativity is called for, one needs look no furtherer than this little number entitled 'The Bad-Bunny Suit' – below, right. Designed to make the wearer look and feel ridiculous and humiliated while facilitating the application of corporal punishment, a real stroke of genius is evidenced in the design of the sleeves. The latter, terminating in fingerless mittens, extend beyond the fingers and seem designed to incorporate a brass eye or ring at the extremity – all the better to secure flailing limbs. Even the 'bunny-ears' undoubtedly included to further exaggerate the absurdity of the outfit, could be pressed into service to secure the young lady if so called upon. Suitably furnished at their tips with metal rings or eyes they would make fine anchor points to conjoin with similar rings attached to tabs sewn into the waistband or perhaps attached to the toes of the suit if it should be required to restrain the young lady into an acute hairpin-bent posture during the progression of her correction.
What could be more humbling for a girl in her late teens than having to wear such a ridiculous outfit, clearly designed with corporal punishment in mind and leaving little in doubt in the mind of the observer, while fully aware that it also doubles as a restraint system and that, so suited and with her behind so charmingly displayed, she is completely at the mercy of her master or mistress. She has been rendered ridiculous, impotent and helplessly subject to corporal punishment at the whim of whomever in one swoop – what more could one ask of a well-designed punishment outfit?
Thursday, 14 January 2010
That Thorn / Hobbs Drawing - Revisited
Assuming that the woman is a teacher or governess having the intent of returning the young trollop to a strict regime of scholastic discipline, is it then her intention of only leaving the shop once she has the girl suitably dressed from head to foot in full school uniform? Although it seems doubtful that such an establishment as this would seem to be from the visible clues available would stock attire that would be deemed suitable in any conventional sense, in the case of a young lady, schooled in seclusion and kept largely out of public view, that sensibility might be shifted somewhat. On the other hand, being an efficient and well organised woman, might she have arranged beforehand to have a suitable complete wardrobe delivered from elsewhere? Then again, perhaps our young lady will be relieved to find herself handed back the fashionable adult outfit she arrived in, only to be much later dismayed when led to an old-fashioned school outfitters, hidden away in the backstreets, and shown through to a rear stockroom that looks as if it has been frozen in time since the 1950s.
This is where the artist (whoever he might in reality be) has surpassed himself, in the way that he uses the girl's body language to tell the story. Anything seems possible from this point onwards; just a glance at the position of the girl's hands and arms and one instantly reads that this girl, however defiant she might have been before, is now ready to go through almost anything rather than receive further cuts across her backside from that cane lying readily to hand on the table in the foreground. And surely at this particular moment she would welcome any form of covering rather than suffer further the feeling of naked defencelessness that undoubtedly fills her. If she were to be led to a changing room right at that moment, perhaps puzzling as to the fact that her clothing has been left out on the shop-floor, eyeing the young female assistant, barely older than herself, nervously, she might well react in dismay at the sight of the green and white, candy-striped, school blouse draped over the assistant's arm and the short-bodied bottle green 'bum-freezer' blazer waiting on a hanger at the rear, but would she have the temerity to voice her objection? Isn't it more likely that under the circumstances she would be welcoming of any form of covering, however humiliating it might seem? And even if she did balk, perhaps dismayed as the light catches the proffered blouse's satin fabric - seemingly more appropriate if incorporated in a bridesmaid's dress - and she realises that she can make out the shop assistants fingertips through the sheer fabric, perhaps noting for the first time the high, stiffened Eton collar, the equally stiff long cuffs and the childish subtly-puffed shoulders, she knows that the cane is still there waiting. A few wickedly burning strokes landed across her bottom in full view of the young shop assistant would soon have her fingers fumbling with the buttons, her cheeks burning and even deeper shade of red as the skin-close fit becomes apparent; the fitted in-sweeping side-panels curve notably inwards along the contours of her torso and the clever darting at the bosom allows the buttoning to nestled deep within the separation of her bust, tending to exaggerate her already quite generous feminine attributes. I can well imagine that if created by the mind behind this store, then she would find that the collar would button as tight as to seemingly threaten strangulation - even before the diagonally striped, green and gold, school tie is knotted about her neck - and would be as restrictive as to oblige her to keep her chin raised.
The school tie can only add to this sense of restriction. Nestling in the valley between her melon-thrusted breasts it acts to draw the eye to her cleavage, just as the short blazer, buttoning only at the waist by way of two buttons and thus open the front, seems calculated to draw the gaze inwards to where the thimble outline of her nipples can clearly be seen through the thin fabric, raising this already naturally shy girl's self-consciousness to a new level and conversely sending her self-confidence crashing. The form fitting blazer, with its broad lapels drawing in the eye, reveals more than it covers - indeed, it's more a showcase than a covering.
Perhaps a full-length slip might ordinarily have been called for, certainly if she were to leave wearing the gym tunic that has been supplied, but this woman has other ideas for her charge and for today a white nylon waist-slip has been considered sufficient. The thick nylon petticoat has been styled as if a pencil skirt and its reinforced hem girdles the girl's upper thighs allowing only the daintiest of gaits -there will be no more unsightly and feminine striding out for her, nor running about, nor any other activity that might be considered too 'boisterous'.
Beneath that, the bloomer-style interlocked-cotton school knickers fit as closely as if a sprayed-on second skin. Their latex inner lining clings intimately to her flesh and embarrassingly so in all the wrong places. Their frilled leg-cuffs, reaching down and dimpling prettily the lower part of her thighs, are adorned with bottle-green nylon satin bows at the sides; the ribbon being striped with gold so as to match the school tie, the ribbon trim around the lapels and detailing of the blazer and the ribbon bows that will later dress her hair, it is clear that this feature is very much designed to be on show, charmingly peeking out from beneath the hem of her skirt as she walks. As for the latter, the skirt is a conventional enough circular sunray-pleated affair realised in bottle green or light blue as appropriate, perhaps even a pastel shade - a full school uniform realised in soft pastel pinks and baby blues could be an interesting departure don't you think - flaring markedly out from an overly tight, perhaps belted, waistband and coming to its hem at no more than mid-thigh at most. Long coltish legs might perhaps be thought best left bare, perhaps finished off with white frilled, turnover ankle socks, the tops decorated with a dainty ribbon bow at the front or back on the outer sides as preferred and in a suitable colour so as to match skirt, blazer and shoes or perhaps striped so at to match the school tie, the ribbons in her hair and those at the leg-cuffs of her knickers.
As if this were not enough to crush the sturdiest of spirits, then a single glance at the badge emblazoned on the breast pocket of the blazer, mirroring that embroidered on the breast pocket of school blouse beneath, should do so, most assuredly - it would certainly do nothing to ease the girl's discomfiture, promising as it does, a suggestion of her future. Two wicked looking crook-handled canes are depicted crossed over an open school textbook and surmounted by the words: 'St Anne's Reformatory' and a legend curving beneath reading: 'chastisement, discipline and obedience' in a curling embroidered copperplate. That the named establishment does not formally exist is neither here nor there, it is the intent that it implies that matters here - and the confidence-undermining affect that the woman intends it to have on her charge's mind.
Now suitably subdued, our young lady is led away from the store. But perhaps not back to where she headed out from so cheerily that morning, perhaps a new home awaits - but of this latter development she is presently blissfully unaware. As of this moment, she feels that little could be more humiliating than her present circumstances – she couldn't be more wrong. There is much waiting in the wings that she is destined to feel more humbling than this – how misguided she is if she considers this to be her absolute cringe-worthy limit. But then of course she has yet to be sat in the barber's chair: “She wants a nice trim – side-parted and as short as a boy's. Isn't that right dear?”.
And she still has her appointment with the orthodontist specialist to look forward to: she isn't at all sure that she needs braces on her teeth, and most would agree. She certainly isn't looking forward to it, nor viewing the result in the mirror. Her anxiety is well founded, despite the constant reassurances – unbeknownst to her the ironwork has already been chosen and there is nothing modern, lightweight and discreet about it! But then again her guardian is a woman well known as nothing if not a perfectionist, Shes is also not one to squander a pretty penny on cosmetic dentistry without the promise of a good return. It is the all-in-one efficacy of the treatment that has attracted her attention: Perfect that near perfect smile, do something about the petulant brat's overwrought vanity and curb her incessant chatter, all in one...Perfect. Idiotically impeded speech the girl might well be cursed with as a result, but her guardian has set great store on that velvety tongue of hers not being so impeded that it can't be later educated to serve and to please in the correct manner. That day might still be someway off - perhaps still too far off to properly plan for – but that day will come. One that day one uniform will be swapped for another and the girl will find that a promising academic career will have been swapped for lowly service, the pen for the dustpan and the office chair for the kneeling pad..
So there you have it, an unashamedly rambling example of how a single pic can lead one thought to another and yet another.