Thursday, 14 January 2010

That Thorn / Hobbs Drawing - Revisited

Today you find your scribe sitting working in the local Wetherspoons pub – I had intended to go to the gym but it turns out that it is going to be shut for a few days. So here I am, sat sitting, and leafing through my notebook I came upon the second part of the piece I wrote around that old Thorn / Hobbs illustration. If you pop back to the original piece / illustration you will understand that this takes the form of some rather rambling thoughts that came to me while sitting in a pub having earlier in the day stumbled across a printout of this old drawing that i had all but forgotten about. Basically it is a series of ideas and thought processes that sprang naturally from the ambiguity of the scenario depicted and as such the ideas tend to branch and grow and pile one upon the other in no particular order but based around certain assumptions about the interrelationship of the participants. At this point I had moved in on a certain assumption as regrades the seated older woman.

Assuming that the woman is a teacher or governess having the intent of returning the young trollop to a strict regime of scholastic discipline, is it then her intention of only leaving the shop once she has the girl suitably dressed from head to foot in full school uniform? Although it seems doubtful that such an establishment as this would seem to be from the visible clues available would stock attire that would be deemed suitable in any conventional sense, in the case of a young lady, schooled in seclusion and kept largely out of public view, that sensibility might be shifted somewhat. On the other hand, being an efficient and well organised woman, might she have arranged beforehand to have a suitable complete wardrobe delivered from elsewhere? Then again, perhaps our young lady will be relieved to find herself handed back the fashionable adult outfit she arrived in, only to be much later dismayed when led to an old-fashioned school outfitters, hidden away in the backstreets, and shown through to a rear stockroom that looks as if it has been frozen in time since the 1950s.

This is where the artist (whoever he might in reality be) has surpassed himself, in the way that he uses the girl's body language to tell the story. Anything seems possible from this point onwards; just a glance at the position of the girl's hands and arms and one instantly reads that this girl, however defiant she might have been before, is now ready to go through almost anything rather than receive further cuts across her backside from that cane lying readily to hand on the table in the foreground. And surely at this particular moment she would welcome any form of covering rather than suffer further the feeling of naked defencelessness that undoubtedly fills her. If she were to be led to a changing room right at that moment, perhaps puzzling as to the fact that her clothing has been left out on the shop-floor, eyeing the young female assistant, barely older than herself, nervously, she might well react in dismay at the sight of the green and white, candy-striped, school blouse draped over the assistant's arm and the short-bodied bottle green 'bum-freezer' blazer waiting on a hanger at the rear, but would she have the temerity to voice her objection? Isn't it more likely that under the circumstances she would be welcoming of any form of covering, however humiliating it might seem? And even if she did balk, perhaps dismayed as the light catches the proffered blouse's satin fabric - seemingly more appropriate if incorporated in a bridesmaid's dress - and she realises that she can make out the shop assistants fingertips through the sheer fabric, perhaps noting for the first time the high, stiffened Eton collar, the equally stiff long cuffs and the childish subtly-puffed shoulders, she knows that the cane is still there waiting. A few wickedly burning strokes landed across her bottom in full view of the young shop assistant would soon have her fingers fumbling with the buttons, her cheeks burning and even deeper shade of red as the skin-close fit becomes apparent; the fitted in-sweeping side-panels curve notably inwards along the contours of her torso and the clever darting at the bosom allows the buttoning to nestled deep within the separation of her bust, tending to exaggerate her already quite generous feminine attributes. I can well imagine that if created by the mind behind this store, then she would find that the collar would button as tight as to seemingly threaten strangulation - even before the diagonally striped, green and gold, school tie is knotted about her neck - and would be as restrictive as to oblige her to keep her chin raised.

The school tie can only add to this sense of restriction. Nestling in the valley between her melon-thrusted breasts it acts to draw the eye to her cleavage, just as the short blazer, buttoning only at the waist by way of two buttons and thus open the front, seems calculated to draw the gaze inwards to where the thimble outline of her nipples can clearly be seen through the thin fabric, raising this already naturally shy girl's self-consciousness to a new level and conversely sending her self-confidence crashing. The form fitting blazer, with its broad lapels drawing in the eye, reveals more than it covers - indeed, it's more a showcase than a covering.

Perhaps a full-length slip might ordinarily have been called for, certainly if she were to leave wearing the gym tunic that has been supplied, but this woman has other ideas for her charge and for today a white nylon waist-slip has been considered sufficient. The thick nylon petticoat has been styled as if a pencil skirt and its reinforced hem girdles the girl's upper thighs allowing only the daintiest of gaits -there will be no more unsightly and feminine striding out for her, nor running about, nor any other activity that might be considered too 'boisterous'.

Beneath that, the bloomer-style interlocked-cotton school knickers fit as closely as if a sprayed-on second skin. Their latex inner lining clings intimately to her flesh and embarrassingly so in all the wrong places. Their frilled leg-cuffs, reaching down and dimpling prettily the lower part of her thighs, are adorned with bottle-green nylon satin bows at the sides; the ribbon being striped with gold so as to match the school tie, the ribbon trim around the lapels and detailing of the blazer and the ribbon bows that will later dress her hair, it is clear that this feature is very much designed to be on show, charmingly peeking out from beneath the hem of her skirt as she walks. As for the latter, the skirt is a conventional enough circular sunray-pleated affair realised in bottle green or light blue as appropriate, perhaps even a pastel shade - a full school uniform realised in soft pastel pinks and baby blues could be an interesting departure don't you think - flaring markedly out from an overly tight, perhaps belted, waistband and coming to its hem at no more than mid-thigh at most. Long coltish legs might perhaps be thought best left bare, perhaps finished off with white frilled, turnover ankle socks, the tops decorated with a dainty ribbon bow at the front or back on the outer sides as preferred and in a suitable colour so as to match skirt, blazer and shoes or perhaps striped so at to match the school tie, the ribbons in her hair and those at the leg-cuffs of her knickers.

As if this were not enough to crush the sturdiest of spirits, then a single glance at the badge emblazoned on the breast pocket of the blazer, mirroring that embroidered on the breast pocket of school blouse beneath, should do so, most assuredly - it would certainly do nothing to ease the girl's discomfiture, promising as it does, a suggestion of her future. Two wicked looking crook-handled canes are depicted crossed over an open school textbook and surmounted by the words: 'St Anne's Reformatory' and a legend curving beneath reading: 'chastisement, discipline and obedience' in a curling embroidered copperplate. That the named establishment does not formally exist is neither here nor there, it is the intent that it implies that matters here - and the confidence-undermining affect that the woman intends it to have on her charge's mind.

Now suitably subdued, our young lady is led away from the store. But perhaps not back to where she headed out from so cheerily that morning, perhaps a new home awaits - but of this latter development she is presently blissfully unaware. As of this moment, she feels that little could be more humiliating than her present circumstances – she couldn't be more wrong. There is much waiting in the wings that she is destined to feel more humbling than this – how misguided she is if she considers this to be her absolute cringe-worthy limit. But then of course she has yet to be sat in the barber's chair: “She wants a nice trim – side-parted and as short as a boy's. Isn't that right dear?”.

And she still has her appointment with the orthodontist specialist to look forward to: she isn't at all sure that she needs braces on her teeth, and most would agree. She certainly isn't looking forward to it, nor viewing the result in the mirror. Her anxiety is well founded, despite the constant reassurances – unbeknownst to her the ironwork has already been chosen and there is nothing modern, lightweight and discreet about it! But then again her guardian is a woman well known as nothing if not a perfectionist, Shes is also not one to squander a pretty penny on cosmetic dentistry without the promise of a good return. It is the all-in-one efficacy of the treatment that has attracted her attention: Perfect that near perfect smile, do something about the petulant brat's overwrought vanity and curb her incessant chatter, all in one...Perfect. Idiotically impeded speech the girl might well be cursed with as a result, but her guardian has set great store on that velvety tongue of hers not being so impeded that it can't be later educated to serve and to please in the correct manner. That day might still be someway off - perhaps still too far off to properly plan for – but that day will come. One that day one uniform will be swapped for another and the girl will find that a promising academic career will have been swapped for lowly service, the pen for the dustpan and the office chair for the kneeling pad..

So there you have it, an unashamedly rambling example of how a single pic can lead one thought to another and yet another.

Wednesday, 13 January 2010

Nostalgia...Such Sweet Agony!

Hi chums. Just a quick update. My gym is shut today so I am sitting outside my local wetherspoons pub but before I came out I fixed my home desktop computer. The problem turned out to be a faulty case fan, not a power supply fan as i had feared. I had already bought a suitable replacement which took just a few minutes to fit, so as from tomorrow normal service will be at last resumed and i will also be continuing with my publication-scanning project (eventually to encompass not just spanking literature / images but also a whole range of subjects – some of which are not related in the slightest and may deserve their own blog / website). I have had one or two requests - including one for images of women holding the good old fashioned Scottish tawse – which i shall be happy to oblige in the fullness of time, possibly beginning with those tawse pics as i am searching for such images myself at present with an eye to the cover of the upcoming new volume. Talking of imagery – Monday afternoon last, saw my journalist / fashion-bunny partner and your scribe at the Victoria and Albert museum , attending an exhibition of digital / computer art. Then it was off across the Thames to the BFI (British Film Institute) to attend a preview of the film, '44 Inch Chest' which was followed by a question and answer session with one of the writers, David Cinto, and two of the actors, John Hurt and Ray Winston. It has been commented – and having seen it, I concur - that it would make a good stage play. I would imagine it running something along the lines of an Arther Miller production, but that;s just me. More interesting stuff (as far as you spankos are concerned) will be coming your way tomorrow, but for now I have to nip down to a deservedly obscure land known as Stokenewington. I lived there once, in the period when my wife and I had our little submissive plaything living with us. It is a tale that I have alluded to more than once before and that coincidently I was reminded of only yesterday. I was somewhat worse for wear, swaying in a fairly rough Tottenham pub and fairly drowning in nostalgia, watching 1980s pop videos on their plasma screen, when I spotted a scene shot in Regent Street in which, in the background, could be seen the window of the old Alexandra Workwear shop (now sadly departed this earth) featuring a manikin kitted-out in a rather fetching light blue nurse's dress. I will always remember our first trip to that emporium with our Penny – my wife had spotted a nice ensemble in its window, an odd confection in hindsight, the dress having a skirt in a solid block of colour and its bodice in a pastel candy-stripe, the two parts being realized in two entirely different fabrics with the upper part having the charming attribute of almost appearing semi-transparent under certain circumstances. Well certainly it could reveal enough with little more than quarter-cup support beneath – and our young penny was somewhat over-endowed in that department as I recall – very fetching with a candy-striped waist apron to match and – later – a lace-trimmed cap. There were a few yelps and swishy cane-strokes involved in that venture – when we got her back home – I can tell you! Ahhh! Nostalgia...Such sweet agony it is!

Thursday, 7 January 2010

Startled at an Antique Shop in Rye (East Sussex)...Or: A Sign of its Times?

Hi chums!

I had hoped to continue with my 'Thorn' / 'Hobbs' illustration-inspired ramblings this time but as I am still stuck with using my little 'NetBook' until I can get home long enough to make repairs to my desktop it is taking longer than usual to transfer my rough note pad work for the new volume into computer form. As I am presently making this a priority it means less time is left available to dedicate to the blog. However I thought some of you might be amused by this old sign board (perhaps recovered from an old pharmacy) that I saw in the window of an antique shop in Rye (East Sussex) during my Christmas break there. Very much a sign of its times, it instantly brought certain imagery to mind. One can imagine the dismay registering on the face of a petulant young lady of the Edwardian or Victorian era who, having already accompanied her new governess to the village saddle makers (saddler) and witnessed the purchase there of an intriguing and unusual harness contraption, not to mention a plaited leather switch – despite not owning a pony – is next led over to the village pharmacy and to the myriad unfamiliar items so categorised, discreetly tucked away in some dark corner.


Unfortunately, try as I might, I couldn't get both halves of the sign in the frame in close up at the same without some part of the window frame intervening and so I took a pair of close up shots meaning to piece them together later on th computer. Neither looked too wonderful and so I then intended to take a couple more, backed up by a long shot from the other side of the street. The trouble was that then the shop keeper, presumably having spotted me, began unbolting the door and things rapidly started getting complicated. This, then, is the best shot – at some point I may create the composite image as I had intended, if anyone is interested, but at the present time, limited to the tiny 'Netbook' screen, it would be difficult to do a good job on it. This thing is fine for text, but pretty crap for doing any image manipulation or art work – which is why, for the time being, I am holding back on doing any design work on the cover for the new volume, despite having come up with some really good (I think!) ideas for both it and the eventual INSTITUTIONALISED volume 3 (when I eventually get around to writing it). By the way: the second, hidden half of the sign reads 'Hot Water Bags'...See y'all next time.

Tuesday, 5 January 2010

An Update and a New Link Added to Spanking Universe

I have had to delay working on fixing my main computer until Thursday for various reasons and so I don't expect to be fully up and running until the following Monday, depending on whether it turns out that I have to purchase a new power supply or not. Meanwhile I have just updated the blog list in the sidebar to include a new link to Richard Windsor's Spanking Universe, the hub of all things spanking - as was always part of the intention behind this blog - and now a full-blow website. I am also carrying on working on the new volume using my 'netbook' machine but in the absence of my usual voice recognition software, progress is a little slow. I Hope to get a proper posting made tomorrow, continuing on from my last and including the stuff I couldn't get typed in last time due to various time constraints but that is already written out longhand in my note pad.

Wednesday, 30 December 2009

'That' Thorn Sketch – A Case for Analysis, a Thousand Tales Woven Within

This must be about the only blog that has not wished its readership a merry Christmas and a happy New Year, as is traditional this time of the year! My apologies; I had intended to do so from the hotel in which I spent the Christmas holidays (of which, more next time), down there in Rye – a medieval town situated in east Sussex – but was unable to get convenient access to the Internet, and in any case came under not unsubstantial pressure from the 'little lady' to pay more attention to her needs and pay less to my 'ridiculous hobbies'...Well, I never! So, retrospectively, may I wish you all, where ever you might be and whatever your faith, a very happy Christmas and Good luck for the New Year. Talking of which; due to the upcoming New Year celebrations and various family commitments, my next update will probably not be until January 4th 2010, after which I expect there to be a couple of days when I shall be silent, during which I shall be undertaking repairs to my main desk computer, before embarking on a whole series of projects that I have planed for the upcoming year and which include more frequent and regular updates to the blog and its eventual expansion into a full-blown web site.

Now to a bit of news and a little inspiration that came to me in the pub having earlier been perusing an old back-up DVD of my scans and web download collection on a friends computer. The artworks presented above left and right – both scanned some time ago from an old magazine, I forget which - could so easily fit with certain aspects of the story arc depicted in the upcoming 'in-between' volume or indeed the planed story line of INSTITUTIONALISED volume 3. Both perfectly encapsulate that essential spirit I am striving for, but not necessarily overtly spotlighted; just as the real 'meat' of a tale is often best written 'between the lines' so the inspiration here lies in all the little details that at first go unnoticed, yet between them voice the narrative without further need for elaboration.

Taking into account what I have just said above, it is the illustration presented here - below and to the right - that caught my attention and that I would urge you to focus your attention on. Drawn by one of my favorite artists, Thorn, it is also one of my favorite images (or rather it has been – I somehow lost track of it in recent years; I think I downloaded it some ten years ago!) and one of the most inspirational illustrations, in terms of developing the ideas behind my writing, that I have ever come across.

As I said above in connection with the other two images;
The real interest is not so much the rather attractive young lady, her pert breasts, nor the cane-lines running across that ripe, full backside of hers. Rather the tale resides in what has been left unsaid, hinted at by all those little details residing in the background. If it has a title, I don't know it, nor do I know exactly what the artist's intentions are in terms of what he is striving to depict here, the scenario he has in mind – nor would I want to know (so if you definitively know, don't tell me – though I'd love to know your interpretation). The full interpretation is left open to the mind of the viewer – and therein lies the excitement and its enduring interest for me.

All I know about this guy is that he is an absolute master of depicting the infliction of cruel and imaginative humiliation. In particular he is a virtuoso of capturing the emotional effect of that humiliation in the unhappy faces of his succulent young subjects. What I would give to have him collaborate on one of my books! Each of his illustrations is a story in itself and if a picture might paint a thousand words – as someone once said – than surely this particular illustration outweighs that estimation tenfold; he has surpassed himself here! This image I think I downloaded around ten years ago or more and it has never been far from the roots of my imagination since. Why? Well, the magic so far as I am concerned is all in the unanswered questions it poses – there is just so much here to ponder that is left open to interpretation.

For a start; there is nothing about the background that necessarily sets the scene in any restrictive manner – it is not a schoolroom, reformatory, convent or any other obviously institutional setting, nor would it seem to be a domestic environment. The scene seems set in some sort of shop - yet even this is not necessarily set in stone. The male could be a shop assistant or - if an exclusive bespoke establishment, as one might imagine – perhaps the owner. But what type of emporium might this be? In the background one can see a pair of half-torso manikins – one proudly displaying what would appear to be a revealing corset of fetishistic restrictiveness and the other demonstrating what looks to be a locking chastity belt.

The girl - surely too young and sheltered in upbringing to be so worldly-wise as to yet know of such things – is being laced into a cruelly-constricting waist-cincher and one is left wondering whether which, if any, of those background items is to follow. And she is plump enough to give creative scope to the corsetier's art; which is an important point here. She has obviously recently felt the kiss of a supple cane across her plump buttocks; indeed, a suspect implement lies discarded in the foreground, along with what one assumes to be her discarded and, notably very ordinary, 'girl next door' underwear. Did she initially object to being fitted with that cincher, or perhaps to disrobing in front of the elderly chap - and if so, was he the author of those throbbing swollen wheals (I for one would like to think so). If I was to be critical at this point, it would be to say that I would have liked to have seen some evidence of previous sessions with the cane; perhaps some faint, fading marks or even something suggestive of permanent marking – something that the girl is only too well aware she will carry through life - that might go beyond her undoubtedly chaste natural shyness in explaining her extreme reluctance to disrobe.

Another question arises as to exactly what the girl's relationship is to the seated older woman smugly looking on. Once again uncertainty abounds and the imagination is left to run wild. Is she the girl's legal guardian, stepmother, privately employed schoolteacher under who's thrall the girl has somehow fallen or a governess charged with curbing a perceived over-exuberant and rebellious spirit and given cart blanch.

And what are we to make of the proprietorial manner in which that woman is apparently regarding her charge's intimate triangle? Is she considering the purchase of a chastity belt – is that what is coming next? Perhaps similar to that on show, yet the spring-steel waist-band locking in the center of the small of the back and to be worn over the top of that waist cinches thus negating tampering on more than one level at once. Then those breast, though youthfully-pert already, might yet benefit from even greater uplift – perhaps some sort of under-wired support lifting the girl's bust clear of her chest and thrusting those attributes generously forward as if offered up for display yet leaving the front uncovered, 'for hygienic reasons'. Is that woman considering one of the very many restrictive corsets or corseletes on offer for the girl to wear over the cincher? if so, might it not incorporate, for the sake of good deportment you understand, a suitably stiffened back-board to keep her back good and straight. Perhaps such a garment might incorporate an adjustable strap running across the shoulder blades and linking the broad shoulder-straps that might be tensioned to further perfect the girl's deportment. Of course the side effects of this - forcing a posture be adopted with shoulders pulled well back, chest thrust forward and buttocks invitingly rounded and thrust out to the rear – are unlikely to exactly detract from her charges attractiveness. Deportment might be paramount and thus exemplified by these measures, yet to the unenlightened , uninitiated, observer the conclusion is hard to avoid that the effect is to present a wanton offering up of everything that goes to represent the girl's femininity in a manner that it is only right that she should find most shameful.

But what else might that woman have in mind for her charge – for example, what of that pile of the girl's discarded clothing that lies crumpled in the foreground, surely she is not going to be allowed to redress and leave with such disheveled vestments over her new and undoubtedly expensive foundation wear?...

More ideas next time, but in the meantime – what do you think?

Sunday, 20 December 2009

RIP Computer and Another Inspiring Email Gratefully Received

On Friday my main home computer finally and sadly past away following a long illness. Those of you who have followed this blog since its inception will have heard before how throughout last winter on the coldest days the thing would be reluctant to start and – once persuaded to cooperate through fair means or foul - would then grind along sounding like an old tractor or diesel generator. I traced the fault to a dodgy cooling fan on the power supply, but as the problem rectified itself once warmer weather came and showed no hint of recurrence throughout this last summer, at least until relatively recently, I never got around to doing anything about it. The irony is that on Friday last I had agreed to help an old school mate with a problem on his machine, the idea being that I would ring him up and talk him through the fault-finding process while sitting at my computer and following his progress by duplicating his actions. I duly called him up, then went to boot up my machine...and you can guess the rest. My mate found it hilarious – the joke somehow escaped me! I was forced to adjourn to the pub for the reminder of the day – oh dear!
.....
My magazine scanning project has of course had to be shelved until repairs are carried out – which will probably be in the new year now, as I will be away from home over the Christmas and New-year period (staying in a hotel in Rye, East Sussex). My work on the new book will continue on paper and also using my new portable machine. But it is an annoying development as I only recently rediscovered my enthusiasm - and part of that revolved around my having developed some interesting ideas for the cover design, which I was itching to get started on. The portable machine I have is fine for writing but the screen size is far too small for any serious graphic work, whereas my desktop machine now has two large screens (as of a couple of months ago) across which I can distribute all the various elements I intend to use.
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Meanwhile I am still working through my email backlog; which brings me to today's subject. I received the following email around eight to ten days ago. I copied and pasted it to MS Word, intending to compose a answer later, then deleted the message - something that would not ordinarily be a problem, as it can be resurrected from the 'trash' folder...Except it can't! said folder is empty for some unaccountable reason and I have some how managed not to copy the writer's identity; probably because I had intended to double it up as a blog entry and so would have wanted to assure the correspondent's anonymity. Under the circumstances I am left with little option other than to reply as an open letter in any case. But I am incredibly keen to do so as the writer touches on so many points that I plan to address in the new work - it is almost as if he / she has been reading my mind!

“Hi Garth,
I have read both books and am looking forward to reading #3 in the series. Will that be available in early 2010?
If I may be allowed to do so, I would like to offer some constructive criticism and a few ideas. I think you could be a little more graphic in your descriptions of the canings. Reading about the preparation, dress being folded back, knickers being pulled down, the recipient waiting anxiously for the first agonising stroke can be very erotic. I think the lash of a cane is a more erotic description of a stroke than slash. That word conjures up something completely different. And speaking from experience, there is no delay in feeling pain from a cane stroke. It's agonising and instantaneous. When the inmates are using their bedpans, are these on the floor? Or are they placed on a chair? You could describe what a girl feels like to sit doing her ablutions in front of other patients and sneering or laughing nurses.

How about uncomfortable, larger sized suppositories, and ones that cause constipation with hard stools difficult and painful to pass, leading to punishment for irregular habits with strap and cane? You could be a little more descriptive in describing the insertion of these. The embarrassment of bending over legs apart, Knickers pulled down, the nurse slowly pushing them in one after the other. "Take a deep breath sweetheart, here comes the first one" Perhaps making the recipient squirm with the discomfort of being stretched and feeling them inside her bottom. “I know it's uncomfortable dear, but it's for your own good" Perhaps you could enlarge further on the discomfort of wearing plastic bloomers. I'm sure they become very warm and sweaty. Noisy when walking? You didn't enlarge on the fitting of anal and vaginal dilators. Having these fitted would be excruciatingly embarrassing for a girl surely.
But can I congratulate you on these books. As a great fan of Victor Bruno I never thought I would ever again read books so very well written and enjoyably erotic. And I speak as one who is more usually interested in classroom discipline, not 'toilet' sort of things.”
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There are some really interesting ideas broached here. I'm not too sure I like the term 'lash', though, as relating to a caning. I understand the eroticism involved - evoking as it does some sort of analogy with the use of the tongue in intimacy - but I feel happier with its association with the tongue-like action of a supple leather strap or tawse applied to the buttocks and thighs, especially with a girl positioned and pinioned over her mistress's lap, or a multi-stranded sauna-whip or martinet applied to the breasts.
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The point the writer makes about the potential eroticism inherent in descriptions of the folding back of a girl's skirt or dress and pulling down of her knickers prior to punishment is, I think, very true. In the new volume I expect there to be several instances of what I hope will be sufficiently vivid accounts written in the vein suggested - two such I have already completed and one of which incorporates a carefully worked through and detailed description that includes such attributes as the sound of skin-tight latex bloomers, adhering to the skin through the tackiness of perspiration, being pealed back with the girl lying across a nurse's lap.
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The section of the new volume through which we will be brought up to date with Lavinia's continuing tenure in the clinic's 'schoolroom' unit is planned to give ample opportunity to explore, in greater detail than has so far been possible in the series, the deeper feelings of the girls in view of their lack of privacy, though I can say little more for fear of giving too much away - other than it will be quite inventive. Remember that the introduction of bed pans, like so many refinements, has been at the whim of the staff. These are women who, unlike the supervising staff in the original so called Stanford experiment, who were selected at random from within the cohort of volunteers, have been carefully vetted and selected from within a group of psychiatric nurses based on their predisposition toward dominant lesbian tendencies and given free rein to develop the regime and innovate as they see fit.
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I have to say that, like the correspondent above, the 'toiletry thing' is not really my 'bag' either, but it lends itself to the medical fetish aspect that I was trying to incorporate and the subject seemed to arise quite naturally given the context of an experimental psychology clinic sited within a psychiatric hospital. I have to say that the use of suppositories to inhibit bowel movement had not occurred to me - a great idea, that - but the use of a steadily increasing size over time has. This is something explored within the new volume and strangely enough very much in the manner described. The insertion of a suppository (or suppositories) is somehow more personal and more of a violation of the person than the administration of an enema and is best given, as I see it, with the girl bent double across the starched-aproned lap of a nurse with an appropriate dialog as above. It is also a treatment I see as more likely to occur in the domestic setting that we explore before we see young Lavinia persuaded to sign up as an inmate of the clinic. Ironically though, despite the kind comments above - comparing my writing favourably with that of Victor Bruno - this particular direction of plot development is as much due to my trying to get away from that style of writing (despite having been so influenced by it) and go beyond the work of the great master as anything else. I should also point out to the uninitiated that despite any impression given by this discussion, the medical fetish aspect per se - i.e, as conventionally perceived - plays only a relatively small part in the story arc of the INSTITUTIONALISED series; it is definitely not obsessed with scatological concerns. Nor are there the long, drawn-out and inhumanly-severe canings that might be encountered elsewhere - the work was never conceived as a series of hard-core S and M novels. But then again, from a psychological standpoint, if one reads between the lines then in its own way the story-line could be perceived to be just as cruel, perhaps more so.
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Taking all that into account we finally come to the point regarding the prophylactic devices. I originally intended to weave more detail as regards the operation and fitting of these devilish devices into INSTITUTIONALISED volume two. Indeed a heck of a lot was completed at the time, but insufficiently so to really do the idea justice. Rather than use the material half-baked, as it were, I decided upon including greater detail and incorporating it into the plot line of volume three. I have since come to the conclusion that the best place to elucidate these ideas is within the pages of the upcoming 'in-betweeny' volume - think how a Victorian physician might have tackled 'obsessive self abuse', think of masturbation denied...but think also of temptation constantly and unrelentingly aroused. A similar fate befell certain ideas I harboured regarding the fitting of particularly ugly teeth braces to an otherwise pretty and vivacious girl and a description of what I like to call; 'Matron's, enforced self -critical body-image mirror therapy. The former I expect you will encounter in INSTITUTIONALISED volume three, the latter you will come across in the aforementioned, up-coming 'in-betweeny' book - I really must come up with a better working title!

Wednesday, 16 December 2009

A Kind Comment Received and a Bit about the Next Book

As a comment to my last posting ‘Orage’ wrote: “Garth,
I've finished reading ‘Institutionalised part 2’ and words fail me to express admiration! The book is absolutely riveting. Your minute description of the girl's garments when she's in the car was enough to make me sweaty all over.
You're so knowledgeable you could write an outstanding study for a university doctorate. But God forbid! Much better to leave us on tenterhooks waiting for part 3.”

I was about to reply with a comment of my own when I realised what a chance it presents to outline something of the book I'm presently working on - the in-betweeny volume, as I call it as a working title. So I thought I would paste up my reply as if a full-blown blog entry, pretty much in the style that I had begun writing it - so here goes:

Ah! Well, you see I already have a university doctorate, albeit something to do with cows losing their marbles. Thanks for the kind comments, it all helps keep me going. Anyone having gotten to the end of volume 2 would have got some flavour of the direction volume 3 will be headed when I get round to writing it (some small part of it is already completed to some degree - and perhaps as much as three-quarters of it exists already in my mind’s eye). First of all though I want to finish the book I'm working on as it is perhaps as much as two thirds completed on paper. It sort of fits in between volumes 2 and 3 - as I've said before – and covers the period in Lavinia's life when, while in conflict with her Guardian, she is taken under the wing of the woman she comes to call Aunt.

We follow step-by-step Lavinia's path as she is introduced, first to that woman's psychotherapist friend and then gradually to a life of increasingly restrictive discipline and the acceptance of corporal punishment by way of the strap and the cane. We see her persuaded to sign up, as a volunteer clinical research subject, to a project being run under the auspices of a private psychiatric hospital in that institution’s very secluded and very secure experimental psychology unit - itself embedded deep within the hospital's secure wing – where she is to join a small group of girls living in an environment that has been set up approximating to a private boarding school from a bygone age. It all sounds very cosy - all ‘jolly hockey sticks’ and midnight feasts, straight out of The Girl's Own Annual circa 1955 - and so she is completely unprepared for the strict discipline, mind-numbing tedium, demeaning treatment, corporal and psychological punishment and near constant humiliation that she encounters there. Little wonder then that she should seek to leave as soon as possible; but as we have seen in volume to leaving that particular research project is not such an easy option.

We also get a further glimpse into the previous life of one Meredith Hewson and gain insight into the works of a church-run charitable institution only vaguely alluded to in volume 2. Set up in the nineteenth century to care for ‘young women likely to drift into moral peril’ - its remit: to house, employ, keep secure and keep safe such ‘waifs’ from their own harm - vouchsafed beyond the scope of prying eyes and with a nefarious, if nebulous, connection to the aforementioned psychiatric hospital, its work continues today in much the same vein as it did then. Behind its austere portals, the runaways, the lost hopefuls, toil in penance to the Lord and are educated in equal measure - albeit within the limited scope deemed suitable for such girls by 19th-century values; parochial and scholastic discipline intermingle with hypocrisy and ambiguous motive.

Later some of the loose ends are tied up and gaps filled in when we learn something of what happened after young Lavinia made her bid for freedom after her psychological assessment as seen in volume 2. Finally we are given some insight into the mindset of a certain Ms Julia Soames as she prepares to receive back Susan Stringer from the research clinic for the summer months, before deciding - upon consultation with her psychotherapist acquaintance - that it might be advantageous for all concerned if young Susan was to pass the summer living under the care of a professional governess and her nursery-nurse assistant in the secluded country home of a certain titled woman in North Norfolk. And at this point we will of turned full circle and be set up for volume 3 with the necessity for flashbacks etc now negated.

Throughout, though, I'm cognisant of the need to try to avoid repetition as much as possible, in the manner that the work of another author was criticised in a comment appended to an earlier posting on this site. And therein lies the trial of course.