Showing posts with label vol 1 snippit. Show all posts
Showing posts with label vol 1 snippit. Show all posts

Friday, 10 June 2011

Amother Excuse and a Weird Piece of Kit

I was going to to tell you all about the exciting new links I have added today. Except I'm not, because I forgot to email myself the document I'd prepared and now I'm out down the pub. The aforementioned document also contained the links I have just mentioned so that is the end of that for the time being – perhaps tomorrow? But what it was to have been about was something that came to light while doing a little research for that commission piece I mentioned last time.

Did you know that there was a specific jodhpurs fetish? Not just for horse riding gear generally or that fairly well known 'pony-girl' thing but jodhpurs in particular – not even 'riding britches' (no I don't know the difference either!). Not that the subject is necessarily connected to my client's interests - discretion is everything - but it just happened to crop up in a search I did (if you pardon the pun... crop, get it? riding crop? Oh, please yourselves!)

Well, there is quite an extensive literature it turns out and next time I shall be posting up a plethora of links to prove it (well, perhaps not a plethora). I'll also be adding a few new blogs to the blog listing, including a young lady who has added her blog link already as a comment someplace – I'm too pissed to remember where – naughty, that, but she has a nice school uniform she wears so I'll have to put that up as a focal point for a link just for the irony of it (and the fact that it looks great! Though it is typically American and she hails from South Shields – somewhere in the north of the UK apparently; but I'm a Londoner, what do I know?)

Meanwhile, here are a few shots of another of my little distractions – hands up who knows what it is,,, Yes, you at the back, there?


Looks technical though, doesn't it?

Sunday, 10 April 2011

Institutional Punishment Illustrated


Hi there: Sorry you have not heard from me for a while out there but I have been a little indisposed. For one the foot / knee thing is still giving me a little trouble but in addition there has been a beer festival going on spread across the various branches of my favorite pub chain, Wetherspoons, and that has coincided with some unseasonably warm sunny weather here in London. Ordinarily I would have posted an update or two from one of the various pubs on my rounds but for whatever reason I seem to be encountering all sorts of difficulties with finding working WiFi hotspots of late and in addition, as I have said before; creating blog updates while out at large can be loaded with difficulties due to the propensity of the average pub-goer to peer over one's shoulder. This is not so problematic as regards text and text editing but any pictorial content has the potential to raise eyebrows - as can sight of the blog page itself of course. Fear not, though, chums because despite my periods of depression and overindulgence, I have been hard at it proof reading quite a lot of the time (aided in no little extent by my ever-vigilant chum over there in the US of A - you know who you are; thanks!). There are perhaps another five chapters to proofread and some reorganisation to work through but most of the writing is done (at least I can't think of much else to write) other than for a few words of explanation here and there to orientate the new reader and to link the various scenes. Saying that: It is with some heaviness of heart that I am going to have to edit out one or two incomplete scenes and perhaps consign almost an entire thread to a separate volume - should it ever get written. Part of the reason is simply the amount of time already invested verses the likely returns and the fact that I can no longer really afford to indulge my little hobby - in short I am going to have to get a job! The other part is due to the unwieldy file size / page number should I publish everything I have written in a single work (not to mention the complexity of the storyline). Now: I am due to fly to Spain on the 19th of this month (staying just outside Marbella - ca 12km) for an Easter break staying in the 'other half''s' father's time-share (nice-'n'-cheap!) and my plan is to get some sort of version out by then on Lulu - perhaps with a temporary cover, that sort of thing, just as did with volume 2. I am still not too sure of a title so that may be temporary also; but at least it will be out. Later I can deal with the niceties, perhaps an improved cover design and later still an illustrated version in collaboration with another chum in the 'States while I sort myself out and look for work. Talking of the latter, I thought you would like a few examples of what the aforementioned illustrator has been playing with of late, though not directly linked with the new book - thanks 'Snooze' I'll be in touch soon! Next time I'll definitely have a short snippet of the new book for you. See you in a couple of days. Best wishes, Garth.

Friday, 25 March 2011

Nurse Spanks While My Foot Throbs and the Economy Drops - Or Something Like That!


Once again I am stuck for the weekend at my girlfriends house and thus restricted in time and to using my netbook – or rather I will be a little later. Right now I am sitting in a pub situated in Turnpike Lane, North London nursing a pint and a suspected Lisfranc mid-foot fracture / dislocation of the right foot (for the more medically minded among you). We have a term for that in English... Fu*%ed-foot. Prognosis? Well, we have a word for that too: crap! Depressing, but nothing that a few pints can't make look better – and there is a real ale festival on, spread across the various Wetherspoons branches! Mind you, the chancellor has just put up the duty on a pint of beer by 4 pence (which seems to equate to a increase of 10 pence per pint somehow – I wish I understood economics). This is nothing to do with the United Kingdom's deficit, however (we aint got a king and what's 'united' about it) but rather is supposed to 'save' people like moi from ourselves. Talking of budgets and deficits (which we do a lot over here – when we're not spending our hard-earned cash on bombing the shit out of someone with those nice shiny expensive cruise missiles of ours – good to know they work though!) can any one tell me how practically the whole world can have huge deficits all at the same time? It seems to me that everyone owes everything to everyone else! Are we all in debt to each other or am I missing something? Unless someone, somewhere is trading with an alien planet how the *$%£ can we all be in debt unless someone is raking it in someplace – do the Chinese own the whole planet? I find it just as mystifying as the concept of this constant 'economic growth' we are all supposed to be striving for and that will save us all – apparently. How can every economy grow at the same time in a closed system which - in the absence of the aforementioned little green economy - the 'global economy' is (I presume – but perhaps I have had too much beer).


Talking of nursing (which I did – sort of – above) I found this intriguing little tableau on one of the French language blogs I featured last time. Any one know where they originated and what is going on. The blog author seemed convinced they originated from New Zealand TV – but that is based on a Google French-English translation. Now, I pride myself on always replying to emails sent by those who have read my 'stuff' or blundered across my blog. Well, fairly recently I replied to an emailed comment only to have the email bounce back with the error message; “Delivery to the following recipient failed permanently: message rejected by the recipient domain” or something similar (no I don't know what it means either – some sort of robot talk). Anyway, I hate the idea of someone out there becoming convinced that their opinion has been overlooked or worse, ignored, and left feeling slighted. So to ever it was (it was signed but I can't betray the confidence in case the writer wished anonymity) I thought it prudent to post my reply as a sort of open letter, along with the original email in the hope that the sender might recognize his or her missive and be reassured that his / her comments have indeed been read (see below).


Dear Sir. I have read INSTITUTIONALISED with considerable interests. I find both the premise and many aspect of the execution outstanding. I was especially impressed with the subtle psychological manipulations involved in the process to make a great read. My one [reservation] is that while many of the individual episodes worked really well the flow of the story seemed to be somewhat disjointed. Once you have completed your trilogy you might consider a revision making the tale more chronological and perhaps elimination a few repetitive passages. I can’t help feeling the material would have been even better used in several smaller stories. Of course the story doesn’t exactly hit the sweet spot of my personal kink seems a shame to keep such attractive young women in deliberately ugly and unflattering uniforms to my way of thinking. I understand the psychological control and humiliation aspect (and like it too) but I still think a captured young woman looks best in (preferably locked) heels and corset. Be that is it may I have one suggestion that might make sense in the context of your story: Induced dyslexia. I’m talking about ensuring complete illiteracy by appropriate treatment. It seems to me illiteracy would be a great way to foster helplessness and dependency in a modern setting while restricting unwanted access to information. Not critical while the girl in question is properly institutionalized obviously but it would have a number of obvious advantages but when it comes guarding against excessive independence “in the wild” and. If discreetly introduced in the initial stages of the relationship to a young women targeted for recruitment may serve as a basis for establishing and tightening control. After all you describe quite an extensive operation requiring considerable resources and expertise to run. There must be a considerable [customer] base availing themselves of the services on offer in the field of women-control.


Thanks for a good read...


I Answer


Sorry it has taken so long to get back to you but I have been away from home for the weekend and although I managed a blog entry I had prepared it beforehand and managed to do very little beyond that.



I thank you for your kind comments regarding my book / books. It is particularly gladdening that you found the basic premise behind the story exciting and appreciated the psychological aspects I attempted to weave in. If you have read the earlier entries on my blog your know that from the outset my primary aim when I set out to write was to create a corporal punishment orientated story that stepped outside of the usual margins and limitations of the genre in terms of story and character development and the rest. I also set out to build some sort of at least semi-plausible premise under which to explore explain why the various characters should behave and develop in the way that they do , ie, to come up with circumstances under which a teenage girl in today's world might be expected to submit to the imposition of strict discipline, uniforms, corporal punishment and so on. And in this to some extent, hopefully, I have been successful.


To some extent in striving for this latter aspect of plausibility I made a rod for my own back in that it would have been relatively easy to have set the story in the late Victorian era or at the turn of that century and invoked all sorts of sinister figures such as strict governesses and corrupt church officials running homes for 'wayward girls' and just about anything would have seemed possible or even probable without much in the way of further exploration. Setting such a story in the modern world instantly creates all sorts of problems revolving around 'believability'. The other aim I had in mind, one that only really developed momentum once I started working, was to tie in as many different and yet related fetishes that might fit within such a storyline. Quite a few of these fetishes are not particularly of interest to myself or even to my taste and so in this aspect I'm not sure that I've been quite so successful.




I do understand what you say about the somewhat disjointed overall flow of the tale. Partly I set out to explore the modern trend for novels to chop and change between scenes and involve both flash-forward and flashback - a tendency seen in recent years in such TV series as 'Lost' if you have seen it over there. The real reason though, if I'm to be honest, is that I never actually set out to create a book at all to begin with but rather I started out to write for my own amusement the sort of thing that I couldn't find in other peoples writing or that was missing to some degree or other even in those books I had read that came close yet never quite 'got there'. My very earliest attempts were not even complete vignettes but rather more resembled a story framework or sometimes even consisted of little more than just a list of ideas that I would have liked to have come across incorporated in some story or novel somewhere; these were thrown together and put up on various suitable newsgroups in the hope of stimulating someone somewhere to write the sort of thing that I'd love to read. As time went by and so few of these ideas and bare bones story frameworks were taken up and expanded upon by others as I'd hoped, if any, I more and more became interested in writing pieces for my own amusement that was close as I could get to the sort of thing that side fantasised about stumbling upon on the net or in various bookshops that I've frequented over the years.



Before I knew it I had built up quite a body of work and the basic framework - as the principal of plausibility was and is as important in my imagination is on paper - developed quite naturally after having read various pieces on old psychology experiments such as the so-called 'Stanford experiment' aluded to in the subtitle of the first book. The latter though did demand some reworking of my original ideas as just like so many others I started off myself weaving ideas and fantasies around the Victorian era through to the 1930s and tying in all the usual stereotyped scenarios such as corrupt privately run reform schools, insane asylums and the rest.



It was only much later and having discovered self publishing by such print on demand companies as Lulu that I decided to try to develop what I had into some sort of book form - but even then as much as anything it was for my own entertainment but also in the hope that it might stimulate other far better writers to extend their imaginations beyond the usual envelope. If I had my time over again and assuming that from the start I'd set out to write a book, I'd not have published to this point in time right now and as you suggest I would have put together the story in a simpler more chronologicaly ordered manner. Indeed, in such a form - with the traditional beginning middle and end - the task of writing I am at present wrapped up in would be much simplified and my work made far easier. Once again, you see, I have created a rod for my own back.



The present book mostly focuses on events that happened before one of the characters comes to the institution but also picks up at the point in the second volume when two of the three main characters leave and the life of the third goes on behind bars (I have been a little sketchy there just in case you have not read the second volume) and we watch as she becomes helplessly more more entangled in the clutches of the institution. The trouble is that having set out along the path that I have with the first two volumes I am stuck with a similar approach to the new book with all the complexities of writing that produces - for example some of the writing I have integrated in the new volume dates back well before starting the first book, being based around short sections I originally wrote way back in 2005. Besides anything else my style has matured beyond all recognition since that date requiring extensive rewriting.



I have considered, once the new book (or books - I'm still considering splitting it in two) is published later on reworking the entire tale and shuffling the various chapters from all the books into some sort of chronological order telling the story in the simpler more conventional beginning middle and end form. This is complicated by the fact that many people will of by that point read the first couple of volumes if not the whole lot. A second complication is that the first two volumes are also published as e-books via a publisher with whom I have a relatively long-term contract. None of this precludes me later publishing a revision of the whole story in Lulu in print on demand from, though. There is also work going on behind the scenes on an illustrated version and this might well end up being rejigged to incorporate elements from the whole series in a sort of abridged form.



I love the idea you have about the induction of illiteracy, presumably through psychological mechanisms, and how it would induce dependency in a young lady even in a modern setting. Believe it or not this is an area I have been exploring in fantasy for some time and a certain aspect of it has been included in the new book and has been aluded to - fairly vaguely admittedly - here and there in the first two volumes. I don't want to give too much away but there was an interesting series of behavioral psychology experiments carried out in the 1930s into the genesis of stammering popularly known in the literature as 'The Monster Experiment' which has turned out to be a rich vein of ideas. Primarily they set out to understand the development of stammering by deliberately attempting to induce the condition in their hapless subjects. I'm sure you get the idea.

Tuesday, 20 July 2010

Enforced Addiction and the Pathway to Discipline

Been a bit busy, what with my birthday being over the weekend and all! Happy birthday to me!!! Hurray!!! Hope I have not posted this bit before, but here is a tiny snippet from the new book. It is taken out of context and needs work... but here is your chance to play editor and point out the typos and stuff that just don't make sense. Perhaps none of it does - but I'm a little depressed at the moment and apt to look on the dark side. The pic is just something that someone anonymously contributed - I wish I new where it came from as the full-sized, full quality version would be interesting.
Enforced Addiction and the Pathway to Discipline
The raven-haired teenager shook her head solemnly, tears welling in her lovely deep-violet eyes. She was sitting hunched on the side of her bed, the barred side having been folded down out of the way, gazing down at her open palm where only moments earlier had rested two innocuous-looking little green and gold plastic capsules. To her right the foam-filled pillow still retained some semblance of the outline of her head, the subtle gently-creased indentation gradually subsiding and fading from the flounced pink latex covering. To her left the water still sloshed to and fro in the half-drained plastic tumbler squatting accusingly on the narrow wheeled bed table, a Formica-topped hospital-style affair which spanned the bed and which could be slid across as necessary.
Her hands still shook a little, but already the tremors were subsiding. The overwhelming feeling of panic that mere moments before had been uncontrollably welling up in her breast and threatening to swallow her whole, was easing also. Of course it was far too soon to be due to any pharmacological effect of the medication - but what did she know of that, any more than she understood that the underlying cause of her condition was itself, at least in origin, as much the result of psychology and the power of suggestion as was the immediacy of the respite. She felt as if a gently-comforting warmth was spreading throughout her body - whether real or imaginary she couldn't tell - and with it, a kind of a feeling of surrender, of having given in, that was in itself comforting to some degree. But there was remorse too, anger, even a little self-pity:
She had been doing so well -why had she given in? How long had it been, a week? Might it have been longer? It was difficult to tell for sure. Aunt Julia tended to encourage her to remain in her room for much of her time in any case, but had been even more insistent of late, arguing that it would make it easier for her to handle if she really did insist on giving up on taking her sedatives. And she had slept such a lot; in hindsight it was difficult to discern where one day had ended and the next had begun.
But why had she come over drowsy as often as she had since giving up her medication? Jitteriness, creeping flesh, that horrid, 'wired' feeling she had on occasion experienced and that her aunt described as her having ‘ants-in-the pants’; all this and more she would have expected. In its stead there had come a sort of marshmallow-brained lethargy coupled with a bone-aching weariness and a pleasant meadow-sweet urge to sleep that there had seemed no sense in fighting. Why, she had no idea, but in a way she had been glad to give in to slumber - there was little or nothing to occupy her in her room and on the few occasions when she had ventured downstairs... Well, her aunt didn't really agree with her watching television and turned it off when ever she was in the room and she had never come across a radio in the house. There was a bookcase, in her aunt's private study, but it had been made abundantly clear to her on the very first morning after her arrival that the word ‘private’ meant exactly that - besides, the door was invariably kept securely locked when Aunt Julia was not in occupation in any case.
She hadn't really thought about it before, but she had never as much as seen a newspaper left lying around. But now that she came to think about it; it did seem rather odd that no newspapers magazines or other publications were ever delivered, at least to her knowledge. She would have thought that a woman who worked from home to the extent that Aunt Julia appeared to would have taken out subscriptions to several periodicals, simply for convenience sake. She decided that Aunt Julia must be someone who pick’s up her post promptly - it certainly fitted with her aunt's impatient nature and obsession with efficiency and neatly explained why she had never seen as much as a circular or a piece of junk mail lying on the mat by the door, let alone a letter. Come to think of it, she had not as much as heard the post arrive, nor glimpsed the postman. She had not heard the crunch of his boots on the gravel outside, not ever, not even when she been in her old bedroom, the room she had been given when she had first arrived - a simple pretty little country-cottage bedroom that did not look like part of a sanatorium and which had dainty windows that opened out into the summer sunshine rather than being double or triple glazed to the point of near-perfect soundproofing and perpetually hidden behind heavy ‘blackout’ drapes.
She used to write copious letters, then, when she had first arrived. She would write daily to old school friends, the boy she had been fond of - and had once had a burgeoning relationship with - and the family solicitor, the latter in an attempt to make some inroads into starting an action against her guardian. Aunt Julia would post them for her whenever she went into town. She would listen intently each day for the post to arrive, sometimes even going as far as to hover around in the short passageway behind the front door, pacing impatiently up and down while all the time listening intently for sound of the post-office van pulling in. She would quite quickly be ushered back to her room by her aunt, despite her protests that would sometimes embarrassingly verge on stamping her foot in frustration. As it turned out, it was all to no avail in any case; no replies ever arrived- not even from the solicitor's office - and gradually her enthusiasm had waned and the habit had faded.
Sleep, then, whiled away the time and protected her from the worst of the symptoms. Not that there had actually been any symptoms, now she came to think about it, at least not that she had been aware of. Yet, that made it worse somehow: She had gone a least a week, by her reckoning, without the slightest twinge of panic, not so much as a bead of sweat forming on the forehead or a trembling of the fingers. Then, on this one morning, the one morning that she had awoken with that all-too-familiar pounding in the ears, the palpitations, the unfathomable anxiety and nauseating dizziness, Aunt Julia had for some reason taken it on herself to place out her medication in the little dish alongside the tumbler of water that she always brought up first thing in the morning. She assumed it had been by mistake; perhaps Aunt Julia had been in a hurry and it had been result of unthinking habit - these things happened. But why, oh why on this particular morning? Why did Aunt Julia have to leave temptation within such an easy reach on the one morning her resolve happened to be at its weakest?
She felt a tear begin to meander its trickling way down her cheek and lent further forward, cradling her head in her hands. The polythene mattress cover crumpled and rustled like dry leaves scrunching underfoot in a forest as her weight shifted. The childish winceyette pyjama bottoms that she was wearing sighed a lightly squeaking sort of sigh, betraying the presence of a waterproof vinyl inner-lining that extended from the elasticated waistband as far as mid-thigh and that, moistened and lubricated by girlish perspiration - the garment fitting quite snugly in any case - had encouraged the back seam to slip deep between her buttock cheeks.
Despite being alone, she blushed. An embarrassed, girlish little giggle escaped her lips, startling her and bringing her back from the reverie she had slipped into; it reminded her of just how fuzzy her thinking was already becoming. The thought struck her that surely the dosage had been increased. It was this otherworldly, fuzzy-headedness that she disliked most about taking her sedatives - that and the worries she had over possible addiction - but it had never felt as disorientating is this before. She shrugged off the notion, reasoning that the last thing that Aunt Julia would allow would be her doctor increasing the strength of her medication, given that she had been so keen on helping her get off the things. But then again; if Aunt Julia was so keen on helping her give up relying on the sedatives, why had she left them out for her to take? Why had she been more careful? And why had... and why had...? She could no longer quite recall the question she was trying to form and so the thought drifted out of focus. Without quite realising it, her jaw had slackened and her mind once again clouded over.
The click of the lock, the metallic rattle of the round brass handle and the squeaking of the bedroom door’s hinges startled her. Rubber soles padded dully on the spongy clinical linoleum, the unhurried rhythm accompanied by the whispering rustle of polyester and the harsher rustling of starched cambric. Smart black court shoes and tan nylons moved into view. Lifting her a head from her hands, she caught sight first of the royal blue hem of the woman's dress, Aunt Julia's dress, smartly aligned with the tops of her shapely nylon-shadowed calves and flapping open with the momentum of the approach. Her gaze wandering higher, her eyes were met by the glassy-glint of light reflected from the first of the deep-blue glossy buttons fastening the skirt front. Then, higher still, came the next button, surrounded by the shadowy-sheen of uniform-blue polyester, then even higher and the crisp white hem of cambric came into focus, delineating the lower edge of the woman's apron, the spotless starched snow-White fabric curving around to meet the dress's side seams before sweeping inwards and upwards to disappear at the waist under a deep-set navy-blue belt of Nylon Petersham ribbon.
Lavinia's gaze paused at the sterling silver belt clasp. The buckle, a highly elaborate butterfly-wing affair decorated with pierced rococo scrolling, strangely fascinated her - some deeply-buried part of her could not help but marvel at her aunt's trimly-belted waistline in comparison to the relative broad maturity of her hips. An unguarded thought arose unbidden and blushing more deeply she looked up, her gaze taking in the re-emergence of cambric fabric as the yoke of the woman's bib-apron flared out above her nipped waist, mirroring in miniature the flare of the skirt and covering the fitted blue bodice of her uniform dress to just above the swell of her bustline above which showed two more of those deep-blue glassy buttons before a final white button that closed the stiff blue-piped collar about her slender throat. Her eyes momentarily met her aunt's. Then, unaccountably unable to hold her gaze, shyly she averted her eyes catching sight first of the bright burnished-silver nurse's fob watch pined to the apron yoke and then coming to rest on the matching silver nurse's scissor-chain. The latter, looping down and arching around from a clip on the side of the woman's belt before disappearing into a hip pocket set in her skirt held the keys to this room, the cupboards and the draws and more besides, dangling at its end as if an arcane symbol of authority.
Still perched on the edge of the mattress, the teenage girl slowly straightened up, yawning lazily, latex, PVC and winceyette all shuffling, scrunching and creaking together as she did so. Seeing her aunt in nurse's uniform was nothing out of the ordinary, in fact it was more and more becoming the norm for Aunt Julia to make an appearance in her old hospital nursing sister's dress, Whether for purely practical purposes or whether simply because it seemed appropriate to her aunt, given the woman's self-appointed role as ‘carer’, Lavinia had no idea. The one thing she did know was that for some unaccountable reason the mere sight of her aunt in her nurse's uniform seemed to sap her will – she found it virtually impossible to stand up to the woman when she was so dressed. She experienced a similar effect whenever she would visit her psychoanalyst's office. The doctor's receptionist was a horrid, tyrannical rottweiler of a woman and yet one glance at her in her sky-blue nurse’s uniform and Lavinia would be left with no choice other than to kowtow down to her, a situation she found humiliating in the extreme.
A hand intruded into Lavinia's field of vision from her left; a white elasticated arm cuff brushed her cheek. Arm puffs were as much a feature typical of a nurse's uniform circa the mid 1960s as was the bibbed apron, but it was so typical of Aunt Julia to favour such a detail, despite it dating from well before her time in psychiatric nursing. Her aunt was leaning over her, gently rolling the bed-table away down toward the bars at the foot of the bed while simultaneously turning so as to seat her self in its stead. Lavinia felt the mattress dip down to her left as the woman shuffled her mature frame into place, the soft complaining creek of stretching polythene bedcovers now joined by the murmurous crumpling and swishing of polyester, cambric and nylon brushing one upon another and whispering together like summer breeze rippling through bulrushes.
The sudden deformation drew the girl closer in to her aunt's side, just as an arm slipped comfortingly around her shoulders. The woman's voice murmured reassuringly, her lips so close as to be almost brushing the girl’s ear. Lavinia seemed to feel as much as hear the words, her aunt's hot breath caressing her ear and raising goose-bumps on the nape of her neck:
“Now, doesn't that feel better, honey?
“Why? Why did you leave them lying there... th,,,tho... those capsules? Why did you have to leave them lying there like... th,th, tha,thaa...”
“That? Like that, is that what you mean? Remember what I have told you to do if you think you are going to stammer – stop, rehearse it in your mind...and if you still think you are going to stutter, try wording what you want to say in a different way. Try to avoid words you know you might have difficulty with. Now, come along. Let's hear you try again.”
“Th...tha,,,that...Like tha...tha”
“Alright, alright. I can see you are upset, lets just leave it for now and just focus on what is troubling you,”
“ But I, I, I thought you were on my side”
“What ever do you mean? Of course I am – what a funny thing to say.”
“Then why did you...”
“Leave out your medication for you? Well, it was for your own good, believe me. I can see when things are starting to go awry...and believe you me, things were starting to go awry indeed. You might not have been aware of it, but you were rapidly heading for a breakdown. I looked in this morning and you were shaking like a leaf – I just did what I thought was best through you. Of course I 'phoned your doctor first, but that was her advice – to leave out your capsules and leave the decision up to you. I'm just glad you saw sense and decided to return to your medication. I could see you were really beginning to suffer - it was heart-rending to see you that way, it really was. You were becoming too deluded to see it for yourself, that's all.”
“But aunty, I was so, so...close”. There had entered into the girl's protestations a piteous keening, whimpering quality that Julia Soames found somehow appealing, in a vulnerable girlish sort of way.
“It wasn't doing you any good, though, was it? Just look at you, how pale, how drawn you look”. She indicated the girl's reflection in the dressing table mirror opposite. “Yes, you're calm enough now, but just a few minutes ago you were quite literally climbing the walls with anxiety. When the time comes your doctor and I will wean you off your sedatives, but under proper medical supervision. You can't just decide to stop taking them by yourself, just like that – its asking for trouble. But I guess you've learnt that lesson for yourself now, you silly, silly little girl.”
Inside, Julia Soames was smiling to herself: Close? The mere notion had nearly made her laugh out loud when the girl had said it. The truth was that the silly little over-privileged trollop had been no closer to abandoning her sedatives than to abandoning breathing. In fact, though the girl did not yet recognize it, she would soon discover that she had now become more dependent on her daily medication than ever before. The suppositories had seen to that. The first of the daily triad she had given her young trusting charge had always included a modicum of a sedative substance. It had been simplicity itself to shift over to one including in its constituents an internally absorbable form of the girl's usual medication, having very bit the sedative activity of the oral form, not to mention sharing its unfortunate habit-forming qualities. Poor deluded Lavinia; in actuality she had never been off her medication. Indeed over the previous fortnight - for that was how long it had, in actuality, been – she had been gradually and steadily increasing the dosage given her patient. Then she had simply cut her patient off, dead, from her supply of instant brain-numb euphoria - the previous morning in fact – and awaited the consequences. The rest was already history.
Yet her conscience was clear – at least in as far as the delight that she had shown when her charge had first announced her intention to wean herself off her medication had been genuine enough. It had all gone perfectly. As far as persuading the girl to submit to psychiatric care, one of the more difficult aspects was in convincing her of the need to have her under a certain degree of sedation. The idea had always worried the girl from the first time it had been broached.
The girl had always been loath to take her medication and certainly couldn't be trusted to take it, unsupervised and off her own back. On more than one occasion, in the early days, Julia had found the capsules secreted away underneath the girl's pillow. Of course on each occasion she had discovered the deceit immediately - she had been a psychiatric nurse after all - and had stood over the girl while she was then obliged to take them – albeit after a stern talking to and not withstanding a little backchat. But even with the threat hanging over her of being sent home and of her aunt washing her hands of her, young Lavinia had continued bellyaching. The point was; although it was true that he girl would eventually take her medication, it was only ever under protest. Yet, if she was to progress Lavinia to the next stage – though the term regress might be a more accurate description, given her intention - then it was important that the girl could be trusted to take her medication voluntarily, quite automatically and without even being told to do so.
The ironic truth was that only with sweet Lavinia’s own co-operation, by her continuing to struggle, continuing to stand her ground, could she have been properly tamed. It was important that she should have made the brave and strenuous attempt to go without her medication that she had - and seen herself fail… and fail completely, hopelessly and dismally. Without having at least tested her tethers, how could she know the infallible strength of her bonds? But having done so - and found her cause hopeless - with a little encouragement and reassurance the girl could now be expected to settle back in her chains.
Had she not attempted to break the habit they had so carefully formed in her, Lavinia might never have truly accepted her addiction. As it was, this change in mindset, this, sense of hopeless, despairing acceptance, that Julia Soames knew her charge was presently experiencing, would ensure that in time and with a suitable form of encouragement hers would become a very humbling addiction indeed. For now there would be no more fighting back, at least not on that front. In time, as they went forward, new fronts would open up and new obstacles would have to be negotiated but each would be tackled in their turn.
An old adage states: “never fight a war on two fronts”. It was something that Julia Soames knew to be very true. What had been achieved to date had been achieved one step at a time, and that was the way they would continue to progress. But with the battle won on one front the way was now clear to take their struggle of wills in a new direction, to open up a new front. She now had the perfect lever in her hands with which to weaken her charge's defences and had already in mind the way in which she would first apply it.
It was a battle in its own right just to contain her own imagination: How sweet her Lavinia would look in a fresh, pink cotton frock, nearly covered in its entirety by a big, spotlessly-white or pink-checked pinafore with bows of pink ribbon at the shoulders. How ravishingly pretty she would be in a pale-blue sailor suit with a white collar and silk tie or a blue and white candy striped dress with a white peter pan collar and a long back zip - better still, fastening up the back with awkward to reach buttons – the sort of thing a young girl might once have worn to school, a blue plastic belt pulled tight around the waist and fastened with a white plastic buckle at the front. Nothing of her vision seemed particularly suitable for a strapping teenager, but what did that matter within the confines of the home. What was wrong with a simple tunic-dress with a column of buttons to fasten it up the back? Then, why not a grey gym tunic, an old fashioned thing with a square cut satin-lined yoke? She remembered coming across just such a thing – and much more besides - when she had first taken possession of the house; hanging in a wardrobe in a long-disused attic room. A school uniform... Why not a school uniform? Indeed, had not Dr Ecclestone herself – the girl’s therapist - hinted at such an idea?
Dr Anne Ecclestone: now there was a woman who knew what she was talking about. The redoubtable psychotherapist had been lamenting the demise of the traditional British school uniform at the time, saying how it would have been the obvious solution in such a case as Lavinia’s, to whom, in time, even making such a basic decision as to what to wear each day could be expected to present a problem. That the developing situation under discussion was largely of the good doctor’s own creation was beside the point. The psychologist had simply asked, in passing, whether Lavinia still had her old school uniform but the inference had been clear. Julia Soames had been forced to answer that sadly in the negative. What had passed for a uniform at the girl’s school, as she understood it, had consisted of little more than a set of guide-lines as regards colour and certain style restrictions merely aimed at outlawing some of the more outrageous fads of the time. Beyond that, a liberal credo of ‘freedom of self expression’ had reigned – expensive, pampered and privileged was how she would have put it.
That was it, then, the decision was made: a school uniform it would be. And as for that much vaunted ‘freedom of self expression’ – well, the girl had already lost a lot of that, a little discipline would soon deal with the rest. She was not going to rush it, of course, but there would be rules to go with the uniform, and restrictions, strict restrictions. Yes she was going to be strict, very strict. And a strict regime would need some equally stringent means of enforcement – and what could be more apt than the traditional school cane, the heavy leather Scottish tawse, punitive writing of lines, corner-standing with hands on head and all the rest? But all in good time… All in good time…

Tuesday, 22 July 2008

Matron's Cane - a snippit from INSTITUTIONALISED volume 1

I thought I'd post a snippet from volume 1 of INSTITUTIONALISED today. I realise that most folk visiting here will have read it and be looking for tasters from volume 2 but despite the fact that this extract has been posted on certain newsgroups in the past, not every visitor will have come across it. For those that haven't read the book it should help put the snippets of vol 2 and the various other posts I have made in context.

Besides, the entire purpose of this blog is to gather feedback from readers and hopefully ideas / fantasies for inclusion in any future publications. After all, I am not a professional writer, or anything like it, but I am trying to develop an entire new genre in multi-fetish literature here and I need to know if I'm succeeding or failing, and to what degree. Finally: I'm not sure where the last pic originated - it looks like a manipulation. Clearly the situation is much different from that in the 'unit' wherein our hapless heroine is incarcerated but that wickedly whippy switch and the girl's helplessness conjures that INSTITUTIONALISED spirit quite nicely - don't you think?
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Matrons Cane

"30C, answer the doctor, sweetheart" Matron was using her softest, most coaxing, tones.

The girl, now known only as 30C, knew what was expected of her, she had been taught in the schoolroom, questions were to be answered promptly, one did not hesitate, one did not think about the answer, one answered yes or no, simply that, no less and certainly, no more. “Yyy yes, mm,m Matron” came the soft reply at last…


For a split-second a whistling hiss had filled the silence, SSHSWTHRRACK! Then a banshee shriek, AAAAGHH! She was on her feet, hands desperately kneading buttocks initially angrily wasp-stung then numb with shock but now developing a detailing to the pain much as a photographic negative might slowly emerge in the darkroom, a clarification to the agony, a screaming agony quite literally.

She had waited in position bent over the desk, outwardly a study in determination, inwardly a growing dread nibbled then gnawed away at that determination. The cane, crook handled, lay casually across the back of the desk filling her field of view, dominating her, the curved handle of yellowed rattan touching her nose as if to hold her there.

Behind her the conversation had continued, she had taken the placing of the cane there, across the desk, her careful positioning, to be the prelude to the caning but the conversation had just continued. And so she had waited, bent from the waist, chin resting on the padded desktop, hands placed behind the back of her neck, legs straddling the attached seat and each adjacent to its corresponding desk support, those knickers, the examination pants, stretched to their limit to contain those overripe buttocks, her imagination involuntarily filling with the image of her most intimate secrets freshly shaved and obscenely displayed through that transparent plastic gusset panel.

Perhaps she had imagined the retention of her knickers to be an ameliorating factor, that they might blunt the sharpness of the sting, then again perhaps she had the intelligence to realise that Matron would never allow such an amelioration if it were significant, yet might allow some slight amelioration if it were to be offset by an element of humiliation of great enough magnitude. As she fervently wished for a return to the conditions of her previous canings, bare bottomed and without the benefit of witnesses, we can conclude the latter to be the greater truth...and be appreciative of Matron's enlightened understanding of a young woman's sensibilities and vulnerabilities.

A hand, Matron's hand, the girl had recognised the cuff and sleeve of the woman’s uniform, had retrieved the cane. The girl had tensed, expecting the first stroke's imminence. Nothing happened, behind her the conversation had restarted, no mention of the upcoming event, not even a casual comment aimed to humiliate and degrade.
It was as if she wasn't there, they were apparently discussing another patient, another girl; there was mention of legal papers, something to do with drawing up a 'statement of change of status', of having the girl become a voluntary psychiatric patient, of the need to arrange power of attorney.

Then there had been a moment of silence, unexpectedly mid-conversation. Behind her, unseen by her but fully witnessed with approval by the good doctor, Matron had flexed the cane between her hands forming a full circle, a measure of its extreme suppleness, a suppleness that comes from the careful preparation of selected rattan kept steeped in brine solution. This cane had little in common with that which had been used previously, this was a very special cane kept for a very special and specific purpose.

Then that stroke had whipped in, and now, standing sobbing, hands brought up to her face in shame, she knew, the girl knew, suddenly she had only two more chances to avoid the threatened one-month extension.

The previous canings had been bearable, at least initially, and had gradually got harder, but this… The first stroke, had shocked her, had been harder and unimaginably more painful than even the hardest strokes of her previous canings.

"What do you think you are doing, girl? Get back down at once!"

The sobbing wretch remained standing, rounded, defeated, shoulders heaving up and down with each staccato-sobbing breath. Distraught tears oozed freshly-squeezed between fine, graceful fingers, emotion ravaged trembling hands cupped defensively in an attempt to hide the shame etched across her pretty, pain-contorted features. Behind her Matron stood coolly with her customary businesslike hands on hips posture, her cane, hanging as casual as a handbag from the fingers of her left hand, forming an acute angle with her skirt.

Matron was clearly unmoved by the girl's histrionics, neither sympathetic nor angry. She merely observed the scene with a casual detachment and a cool air of authority that well disguised the seething melee below.
"Well, that's another chance gone, you have got just two chances left now and you won't even have that many if you don't get back down across that desk right now, this instant!" She had spoken softly, gently, but with a voice gradually hardening until the emphasis on 'This instant' practically qualified as a bellow.
Still no response was forthcoming, save for a particularly deep and shoulder-shuddering sobbing intake of breath and a rubbery shifting of weight, the girl's knees momentarily threatening to give way to a knock-kneed collapse, still straddling, as she was, the seat.

"I'm going to count to five then you had better be back over that desk or you are down to your last chance, I mean it!" Now Matron had moved up close behind the shaking girl, her voice taking on an intimidating barking. "One, two, three, four..."

With a last defeated shuddering ‘sob’ the girl flopped her torso down atop the desk, her chin coming to rest close to the rear, simultaneously and involuntarily running her hands defensively back over her buttocks. Matron's voice instantly adopted its soft and coaxing 'reward' tone:
"That's better, sweetheart, now let's get those hands back where they belong, back behind your neck." Stiffly, reluctantly, the girl obeyed.
"That's a good girl", Matron's 'rewarding' voice again; she took great care in emphasising to her staff the importance of consistency in conditioning a girl and took equal care herself to ensure that she never failed to positively reinforce a desired behaviour with a praising word or an approving smile.
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Copyright (c) 2008 Garth. P. ToynTanen
Taken from:

Institutionalised Volume 1: Beyond the Stanford Experiment