Might be a bit rough, this one - just knocked it out today, which is damn quick for me. It fits in with something else I've been working on, but this bit's been a bit rushed - so let me know if you spot any 'howlers'
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The pretty wide-eyed teenager
blinked against the harsh glare of the spotlight through a soft veil of
tears. She was still struggling – and
failing - to deal with the sheer fast-forward rapidity of the events that had
led up to this moment, the ground-rushing blur that separated the mundane
normality of the train, then the taxi cab ride and finally the roads, leafy
lanes and avenues of this, one of the more distant reaches of London suburbia,
from the unreal surroundings she now found herself in.
Unthinkingly, her arms aching,
she lowered both her hands for a moment, reaching back and cupping her tight
throbbing bottom, as best she was able, through the unfamiliar smooth
fine-weave manmade fabric of the little tunic dress they'd dressed her in, sensing the heat radiating
off, gingerly feeling the shallow furrows and thin raised edges, tracing their
outlines beneath her fingertips and feeling the odd slippery sensation of the
dress fabric sliding back and forth over the underwear she'd been given. Then - remembering herself and fearful lest
this act might be interpreted as 'willfulness' - she rushed her hands back to
the top of her head, instinctively going to interlock her slender fingers
before touching her fingertips together instead, biting her lower lip nervously
as the little thin light gloves - so dainty, so delicate, so sensitive -
nevertheless steadfastly resisted even this simple maneuver.
Too late!
The movement was swift,
cat-like, was accompanied by a hissing rush of starchy dress fabric and came
from behind her and to one side where the woman had presumably been hovering
stealthily out of sight all this time, hidden away even from the view of the
room afforded by the mirror, and as quiet as to have had young Miranda
Burden-Braithwaite convinced she'd been left alone.
She yelped as the woman's
fingers sharply slapped her right cheek, like a puppy whose paw had just been
accidently trodden upon, a glimpse of navy fabric sleeve and buttoned cuff
coming and going in a flash in the mirror as the woman stepped in and out of
view. Words tumbled from her lips, as
accidently and uncontrollably as dried beans spilling out and rattling across
the floor from an over-filled hessian sack someone had just carelessly kicked
over, her mind bursting with questions, conflictions and contradictions. This was a mistake too, a kneejerk reaction
she'd yet to learn to repress – but she'd learn that trained instinctive
restraint, given time:
“What do you think you're...?
”
The second slap was harder,
involving part of the woman's palm too this time, but still somewhat restrained
from the kind of strike she knew the woman COULD deliver, far short of leaving
her seeing stars, just a reddening sting intended as much to shock as produce
real pain as such. There was no hint of
anger in the simultaneous admonishment; it was just a dispassionately calm, impersonally
detached, instruction delivered with precise and authoritative enunciation,
like a pronouncement issued by a judge with the full and vindicated weight of
the law behind it, the woman's voice almost warm, almost apologetic, and
belying the harsh edge her accent's slightly Germanic character tended to
impose.
“No talking!” The woman's voice softening, she added: “I'm
sorry, but talking is just not allowed – you know that!”
“But...”
“Do you WANT the cane...
Again?”
Miranda blanched, then
shuddered, her cheeks colouring, her left cheek flushing with red to the point of competing with
its palm-stung right hand side compatriot, though lacking the latter's
fingermarks. The cane to which the woman
referred hung directly in her eye line.
Glossy, polished and as white as
bleached whalebone, its twisting brown-red leather wrist strap, a figure of
eight loop arising from a short leather-bound section which functioned as a
hand grip, was strung over a small brass hook which extended out from the wall
alongside the mirror she had been left facing.
Fashioned from a long smoothed and sanded length of ash – chosen as much
for its elastic, resilient qualities as its toughness - and gently tapering
along its length from the width of a young woman's little finger to a point a
little thinner than a pencil, this implement of discipline was every bit as
pliant and as whippy as it looked, a fact her freshly tenderized young bottom
could thoroughly attest to.
It was a terrible thing: When applied by experienced, professional,
hands – as it had already been; several times since her arrival in fact - it
was difficult to comprehend just what a thoroughly efficacious instrument of
correction something so simple could be.
Something else her near-flayed young bottom could attest to.
That was another concept she was
having difficulty dealing with - beyond the shocking blitzkrieg change of
circumstances she'd undergone in the last... how long had it been? - the
concept of the term, 'professional', as applied in the context of what she
simply saw - as any modern teenager would have, let alone had she had the
relatively 'progressive', permissive, upbringing Miranda had would - as an
abusive vicious beating, or rather, series of beatings, since she'd already
suffered more than her nervous system could take. 'Professional disciplinarian'
was a term that beggared belief, that belonged in the lexicon of the kind of
perverted literature whispered about in tight secret circles or from back in
the darker, more shadowy corners of the Victorian era, along with 'correction',
'reform school', 'workhouse', 'reformatory', house of correction' and 'corporal
punishment'.
“ Please.. I...” Was all she could think to say – it was too
much; FAR too much; but she was desperate; so, SO desperate. She needed respite, just a little rest, time
to regroup, to re-assess.
“Ok, then – have it your way,
but we'll give your bottom a rest I think...
Hands out in front of you, please... Three strokes of the cane, I
think!”
“No, please... Not my hands...
you don't understand... I'm a,a,a....”
“Ok... SIX strokes of the
cane. Now... GET THOSE HANDS OUT IN FRONT OF YOU... RIGHT NOW - MANDY!!! PALMS UPPERMOST - MANDY!!! You're not an ANYTHING, at the moment, just a
silly headstrong child in need of being taken in hand. There is a MASSIVELY wide gulf between
winning a scholarship and actually attending the college, let alone attaining a
professional standard, you stupid little girl.
In any case I'll be aiming at your palms - and aiming to use the slender,
end section, of the cane; besides, those gloves will protect your fingers.”
Shaking, slowly, reluctantly,
Miranda lowered her hands from her head, extending her arms out in front of her
and turning her palms uppermost as instructed.
The gloves were indeed a singularly unique design, a fact now born out
as a broad velvety-pink ovoid area of palm came into view each side whereupon a
seamed cutout region in each soft dove-white glove purposely exposed the
sensitive silk-soft central area of the palm for just such punitive attention
as each was about to receive.
“Higher up – and stretch those arms
right out at shoulder height, elbows locked and supporting your right hand with
your left underneath… Yes, that’s the way.
You see, Mandy? We’ll soon have
you properly tamed; a little discipline is all you need!”
Biting her lip she watched the
woman in reflection as she first crossed behind her before then coming round to
the side to reach for the cane, the woman brushing past her as she reached out
to pluck the cane from the hook, deftly slipping her wrist through the leather
wrist strap as she stepped back and to the side to give herself room, her
slender fingers purposefully curling and tightening around the crisscross bound
leather hand grip.
Raising the cane to shoulder
height the woman slashed it three or four times through the air experimentally;
a ritualistic action cold-bloodedly calculated to work on her subject’s nerves
as much as to ‘get her arm in’. The
springy, tapering length of ash, curving under the twin forces of momentum and
air resistance, made an almost musical swooping sound – and the teenage girl cringed,
her eyes following the cane’s arcing path in the mirror as if mesmerized, her
gaze locked on its tip.
“Don't look at me, Mandy – look
at yourself in the mirror, not me. Take
your eyes off yourself, just for an instant – or close your eyes - and I'll
start again... from scratch!”
Amelia’s gaze involuntarily
switched to the woman wielding the wicked looking implement of correction, the
thin lips set in a surprisingly youthful face made older by the tightly pulled
back hair, the incongruous full skirted long-sleeved Victorian frock with its
mutton chop puffed shoulders and tightly-belted waist and silver nurse’s watch
pinned to its bust. Then just as quickly
she fixed her gaze on her own reflection in the mirror, trying not to see the childish
short grey zip-fronted school pinafore dress and the elasticated legs of the white
acetate pantaloons peeking out from beneath its abbreviated hem.
“The same applies if you lower your hands, unlock your elbows or step
back for any reason…”
With phenomenally unerring
accuracy and uncompromising force and energy, she brought the slim pliant cane
down directly across the girl’s exposed right palm. Miranda let out a soprano squeal,
equal parts shock and pain, as the whippy pencil-thin end section made contact
with the soft flesh exposed through the oval opening in the palm of her glove. The
sting was unbearable, like a row of wasp stings placed end to end without gap
right across the palm of her hand. The
urge to squeeze her hand between her knees or under the opposite armpit was
almost undeniable, almost beyond the scope of her willpower to control; but
control it she did, determined not to give the woman any excuse for a repeat
performance, buoyed up by the fact that having survived one there were but five
more to go; and of course the next would be on the other hand, giving her right
hand time to recover; and THAT hand only had to survive two more itself.
“Swap over your hands, Mandy… That’s the way – left hand on top this time,
right hand underneath supporting it… Hold
it out higher – arms straight... Higher,
girl, HIGHER! That’s it – that’s a good
girl, Mandy!”
The second stroke slashed in with
similar markswoman-like accuracy and with equally uncompromising force and
energy dead across the center of the girl’s exposed right palm, the fine bridal-white
fabric of the remainder of the glove surrounding the oval window cutout, being completely
out of harm’s way, doing nothing to ameliorate the sting. Again, somehow the teenager was able to fight
the urge to withdraw her hand and dance around pressing it between her thighs –
though this time it took a supreme effort of will, as if the stinging pain
developing in the two palms were somehow adding together…
“One!”
The teen suddenly heard the
woman intone, the woman’s tone solemn as if presiding over some sort of officially
sanctioned ceremony. Her blood ran cold,
her legs, seeming to liquefy beneath her, threatening to give way; it felt as
if an unbearably heavy burden had been suddenly been slumped down on her shoulders,
pressing her into the ground:
“Wh,what?” She heard herself say, somewhere far away –
then bit her lip to prevent herself saying anything more.
“Hold out your right hand again, Mandy. Higher, girl,
higher! Stop crying, girl, and just do what I say, and there’ll
be no need for more unpleasantness.”
“Bu, but…” Hearing the woman disciplinarian’s words she
was suddenly aware she was indeed crying – in floods of tears in fact; and that
it had had started the moment she’d heard that count ‘one’. She was also aware that once again words had
come tumbling out her mouth unbidden.
“I said ‘one’! You can work it out for yourself, can’t you? Right and left equals one stroke – that should
be easy enough for you to comprehend. So, hold out your right hand again, Mandy – and we’ll get on!”
Somehow,
with a superhuman effort of will, Amelia managed once again to extend out her
right hand as instructed, supporting it with her left from underneath, her arms
out straight in front of her and level with her shoulders and shaking as she
fought to lock out her elbows against all natural instinct.
The
air seemed to sizzle - and for the second time the cane viciously bit into the
teenager’s right palm, this time seemingly sending a searing electric bolt of white
hot flame flashing up to her elbow, the reflex urge to simultaneously squeeze
her fingers into her palm, instinctively forming a protective balled fist,
countered by the resilient springy inserts discreetly hidden within the fingers
of the little white gloves. Wincing,
fighting the urge to shut her eyes, she fought to hold back further tears – and
failed. She wailed, sobbed - and
torrents poured down her cheeks as if a river had burst its banks.
“Now the left again…”
She heard the implacable
heartless woman instruct, coldly, her voice as impassionate as at the start. Somehow Miranda was still managing to keep
her arms up at shoulder level and her hands out submissively in front of her,
but was showing signs of hesitation now, delaying repositioning her left hand
for its second stroke – she heard the woman begin to count, measuring off
seconds… The meaning was clear:
“Five… four… three…”
Not knowing quite how – and while
keeping her arms straight out in front of her – she re-crossed her wrists,
positioning her left hand atop her burning, sizzling right, beating the count
by just one second. The cane stroke came
immediately, before she even had time to brace herself; it felt like I branding
iron had been drawn across her defenseless, stretched palm.
“Two…”
She heard the woman slowly
intone “…Four more to come…” she heard the
woman add, a vague sense of something which could have been taken as enthusiasm
edging its way into her voice where before there had been just ice cold detachment.
“Bu, bu…”
“Enough! No more talking! Remember it’s your inability to control your
tongue which has earned you this correction in the first place.” Came the
brusque warning. “You’d be well advised
to know there are other methods I know of which can be put to use in order to deter
and discourage a girl from talking” the woman went on. “Now swap hands and put out your right again… Four more strokes to come – on each hand…”
“Pl,pl,please – not four more..
please… not that many – not on my hands, you’ll damage the nerves… You’ll stop
me from…”
“What nonsense! Damage your nerves indeed – and what’s so
special about YOUR hands, hmm?”
“But you don’t under...”
“Ok – we’ll start again from
scratch; I DID warn you…SIX strokes to come… Now get those hands out!”
“NNNo…please…my
b,bottom…cane my b,bottom instead…”
“I’ll tell you what… Yes. I’ll
cane your bottom, if you want – as WELL as your hands; six on each palm AND six
across your bottom, knickers down…. Now get those hands back out – else it’ll
be TWELVE across each palm and TWELVE across your bottom; along with a repeat
dose tomorrow morning to look forward to… How do you feel about THAT?”
7 comments:
I'm glad to see you back and writing as well as ever. This sets up plenty of possibilities but please don't let this distract you from your book projects.
Great writing as always. Looking forwards to your next novel. It has been too long.
Best hand-caning story I have ever read. I love the idea of the caning gloves.
It forms part of a larger writing project, Vlad , or will do with a lttle manipulation and adaptation so no fear of that
WOW! Thanks for the compliment, Anonymous... Ahh, but there is more to those gloves than their obvious punitive function. Or to put it another way - they may perform other punitive functions beyond safeguarding the fingers during hand caning... But I bet you could guess that - there's usually more than meets the eye going on behind the torments I dream up.
The cane plus girl equate pain.
While the cane works wonders to install proper discipline in private behind closed doors I love the idea of targeting the hand for maiden discipline in public. The shrinking extending of a small guilty palm, and then, after the scalding slash on female fingers, the humiliation of the armpit hug and the bitterness of having to offer the other hand for its own cruel cut.
Getting in rather late on the glove thing I absolutely loved what they implied as well. I presume they also serve the function of reducing Miranda’s manual dexterity to a more practical level. Perhaps they render writing impossible for instance? In any case I do hope appropriate steps are taken to ensure the clever little gloves cannot be removed by their wearer?
I love the idea of the wicket gold-digging stepmother, having seduced, besotted and manipulated the poor little rich’s girls farther into believing she needs discipline makes her wear such gloves in public so she can discreetly discipline her anywhere.
Come to think of it I have read and enjoyed all your books immensely but can’t remember that theme? Should think it would be an obvious approach. Especially if it involves power reversal. Perhaps evil stepmother starts of as a maid? Seduces rich widowed farther and gradually takes control – reducing daughter to a maid in her own home and having her daughter wear all the fancy dresses? I would think reducing a lady to a maid in her own home, gradually stripping away her possessions and status would be especially poignant?
Perhaps I have been reading the layd2maid blog too much.:)
As mentioned I really do enjoy your novels and hope to read more from your hand soonest. Enjoy your artwork as well but do prioritize your novels as they generate some income. You are already spread pretty thin with your blog here, your tumblr and THE INSTITUTE website but have you considered a patreon page to ask for donations?
Selectacorp have had amazing success with a patron web page combined with a forum. The comments section isn’t very obvious and I hadn’t seen the donate button until just now. You could offer small favors such as input on themes, previews and the like for patrons.
Ulver may be on to something. Yes, perhaps in addition to being worn for hand-canings, the gloves are worn to remind the girl of the ever present possibility of more strokes to the palm. They may only be removed for those times she spends her day writing lines or copying some dreary text over and over. Like a corset or other item of apparel that shapes or disciplines or restrains one, the caning gloves are a constant reminder of a severe punishment to the hands, and removing them reminds one that her free time can be stripped away and replaced by punitive tedium at any time.
greenwellies
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