As I replied to an anonymous comment
earlier today, as originally created by Roger Benson this drawing portrayed
some sort of scene being played out in a college dean or tutor's office - but
that was not how I saw it. So with the addition of a suitably period-style
camera and stool (from another of his pictures, a diploma on the wall (created
by yours truly)and a metronome adapted from a photograph, the cane in the
foreground (also created by moi) and one or two other changes, the whole scene
changes.
In hindsight, I probably should not have
added the caption – but I couldn’t resist harking back to one of my favourite
scenes from my earlier books, the INSTITUTIONALISED series (volume 3 I think it
is – correct me if I’m wrong; but not TOO hard!). anyway, there is probably
enough embedded in the image as it stands to put over that SOMETHING sinister
is going on. Exactly what can be left up to the viewer’s imagination. So here is another version, decked out as if
a cover for that book I was handing out free up until recently.
The presence of the camera represents - and
hints at (even without the caption) - one of my main interests: plausibility in
spanking literature. How does one get a strapping, would-be independent
late-teen or early twenties lass to docilely bend for the cane or drape herself
across the knees of some authority figure, whether that be a strong-willed
stepmother almost young enough to be her sister, a governess or institutional
figure for a damn good spanking or thrashing? Part of the answer relies on
making a start on toning down some of that independence - and replacing it with
something diametrically the opposite.
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